And, being a completely independent film, no one told us how or what to do! Me and my crew of under 20 people did it OUR way. It was like a keg party with a camera. WE got to tell the story of a place we all held so dear. WE wanted to do it justice. And I think we did.
Dave
The film is an exhilarating exploration of the creative process. Grohl has secured exceptional access to musicians normally secretive about their working methods. The biggest coup was a session with Paul McCartney. Describing his entry to the studio, the film’s cinematographer Kenny Stoff said, “there was a tangible electricity in the air and it was all I could do not to just freak out. Here I was in the same room as Nirvana and The Beatles. Heavy!”
http://www.telegraph.co.uk/culture/music/live-music-reviews/9821370/Dave-Grohls-Sound-City-Players-Sundance-Film-Festival-review.html
Sound City is a studio rat’s wet dream, devoting ecstatic passages to the studio’s analog funk and the richness of its drum sound, and especially its custom Neve recording console; it’s the first movie I’ve ever seen devote beauty shots to a sound board.
http://www.avclub.com/articles/documentaries-on-pussy-riot-fame-studios-and-sound,91539/
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